Standon Calling 2019 and painting people when they are moving

Laundry Meadows stage Standon Calling 2019
Laundry Meadows stage Standon Calling 2019

I have failed to write posts about the number of things we did this year but I may go back to those. What has really made me want to come back and write something has been my recent painting trip to Standon Calling. As music festivals go it is fairly tame, there are a lot of families with young children among the music fans and a fairly broad spectrum of age groups. Admittedly I am at the upper end of those ages but in some way we all walkaround with the young person that we used to be somewhere inside us and it feels good to get our young selves out, dust them off and let them show us around  once every now and again.

 I’m not usually one for large events but the reason for my trips Standon Calling is for painting rather than music. I’d like to hear some music but I’m there to paint and I spend as much time as I can doing so. So much so that I even managed to put in 18 hours on the second day.

Obviously, the important thing about the atmosphere of a crowded place is the people but they are all constantly moving so painting them is a challenge.

I am no expert at this kind of drawing, YouTube has many videos on how to put figures into landscape using these techniques and they can give a painter a bit of confidence when adding figures to their paintings but I think the really authentic feel can only be gained from actually looking at the people as they move around and trying to draw them. I try to latch onto somebody to draw, hold them in my memory and put them into the painting. If the people I pick don’t work out or if see someone who I consider somehow better suited to the painting or somehow amusing I’ll change it. If I catch someone standing or sitting for some time I may try and make a bit of a portrait of them. Some figures will end up as a confection of different people; the hair of one person and the trousers of another. Sketching people where ever you go is the best way to get your eye in. You pick up a bit of a vocabulary of shapes that you recognise in people and that helps one make sense of things.

When Architects make drawings of proposed building schemes they like to put people in their pictures to give a sense of scale and the type of person that they draw is basically a sort of repeatable form they have learnt and it always gives the picture a certain look. The figures are convincing but only up to a point as they lack personality and also the authenticity which comes of having looked. Those draughtsman’s skills are not without their merits, they can get a lot down in a short space of time and time is money in the commercial world.

Cover of the book American Urban Architecture

The painting at the top; Laundry Meadows stage Standon Calling 2019 shows a crowd enjoying the evening near one of the stages. All the people in the front row are people I met; the twins I saw often over the four days, they liked watching me paint and were pleased to be in the painting. Lydia, who is the girl sitting on the grass sat for me for five minutes. The man standing with his arms up was saying “if I stand here will I be in the picture”. (if I had a pound….) The others I watched furtively. I don’t know if you have come across Festival Jeff, he is a very tall guy who goes to many festivals. He was by the stage. I think I got him quite well but I had painted over him by the end of the painting which I slightly regret.

detail of the Electric Willows, girl dancing
detail of the Electric Willows, girl dancing

This girl was a great dancer I saw at the Electric Willows so I kept turning to watch her and she danced long enough for me to get a reasonable form. You may not be able to tell from the picture but while she was dancing the Bowie disco was playing. This made it difficult to keep my feet still. I hope no one minded my singing along, I did try to keep it quiet.

The new print shop.

I’m working on this site and I’ve been checking out options for a shop. At the moment I have gone for a one page shop with limited stock but this may get bigger. Better would be good too! I’d love you to let me know what you think. You can use the contact form on the bottom of the left bar or the menu.

Many thanks for looking.

Will Topley logo
Welcome

The Chalke Valley History Festival 2017

CVHF logo

For the past 3 years I have been lucky enough to be invited to draw speakers at the Daily Mail Chalke Valley History Festival. The history festival, or CVHF is perhaps the only literary festival in Britain to be focused purely on history which is surprising given the number and popularity of literary festivals now. It is well run and has a veritable army of volunteers who keep the show on the road come what may. Last year the skies opened and the festival deeply resembled a night on the Somme with speakers and punters all wearing Wellington boots and joking together in a fashion that reminded one of the spirit of the Blitz. This year it is at a different sight, still in the Chalke Valley but possibly less likely to flood. The setting is stunning.

Most of the speakers have a book to sell so they have a bit of incentive to come as there is a Waterstone’s tent where they do a book signing and flog a few copies of their book. At any given moment there are generally three talks going on and it is a real job to choose what to see, they all look so interesting. Some I am told to do but others are free choice. As my history teacher at school was exceptionally bad at his job I have a lot of ground to make up but this helps me no end. For one thing, they are some of the most important historians of our time and many are truly great speakers who really give you a thirst to know more. I find the whole thing very inspiring.

Last night I went to see Chris Patten talking about his career and David Cannadine talking about Margaret Thatcher. The Chris Pattern drawing was really challenging as he walked to and fro in a continuous circle without pause. I had positioned myself to draw him at the lectern but for most of the talk he was hidden by it as he moved across the stage and back. Somehow I knocked something out that I am told looks like him. Not wearing glasses helped as I could get the general features without worrying too much about detail.

Chris Patten
Chris Patten

David Cannadine stayed more or less put while speaking so I managed to something a bit more detailed. The speakers talk for about 45 minuted followed by about 15 minutes of questions.

David Cannadine
David Cannadine

The festival runs from the 26th June to 2nd July. Here’s link to the programme. If you would like to come

Programme

You can buy tickets by going to www.cvhf.org.uk or by calling 01722 781133

I will post further drawings on Instagram and Twitter under my user name Willpaint

Sri Lanka in April 2018

Join me  from the 18th to the 26th April for a week of painting in the inspirational settling of Sri Lanka

Sri Lanka is a wonderfully colourful, warm and friendly country and a great place to get away for a week of sunshine, sea, great hospitality, delicious food and perhaps most importantly a wonderful, place for painting. I went a couple of years ago for two weeks and can’t wait to get back to this exceptional country and explore more.

We shall have the chance to stay at one of two houses at Koggala Lake.

Sea Heart House, a destination in its self as can be seen in the photos here. There are 4 air-conditioned double bedrooms set in an acre of beautiful garden with elevated views over Koggala Lake.

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Maddox, a most comfortable House with stunning views. It also has four double rooms with ensuite.

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There will be a chance to paint various subjects and I will fully support you will be with personalised tuition

The days will include some short talks on various aspects and techniques of painting followed by painting sessions supported with advice and tips for improvement. There will be a limit of 10 people on the trip giving opportunity for one to one tuition.

There are many activities for non-painting partners whatever their range of interests, be they cultural, sporting or the natural world

I you are joining us, we have also been able to arrange a 10% discount on materials bought for the course at Green and Stone. Green and Stone are in the Kings road, London. The shop is a veritable cornucopia staffed by the most helpful and knowledgeable people. I love it there. They do mail order too.

For further information and costs, please contact:

seahearthouse@gmail.com

 

Drawing at Concerts



Recital at Imperial College
Recital at Imperial College


I have always enjoyed drawing people. I think that because finding sitters is not always easy and when found they do not always stay put, it can be better to go out and draw them in their own enviroment, at some place where they are already occupied.

Yundi Lee at the Royal Festival Hall
Yundi Lee at the Royal Festival Hall

I have a number of venues that fit the bill so it’s hard to say what my favourite is but it is hard to beat a concert for the excitement and stimulation it offers. I wonder if the music occupies the conscious mind leaving the unconscious mind in charge of drawing. This is an idea that came to me after reading The New Drawing on the Right Side of the Brain by Betty Edwards.

The idea is that the unconscious mind is the creative side and can really get going unhindered by the uptight over thinking usual of its other half … well I havn’t decided if this train of thought is going anywhere but it’s is an interesting thought nonetheless. I certainly feel fully engaged when drawing in concerts. Emersed in the music, the performers and the place and it greatly enhances my enjoyment.

Imagine my distress on hearing from a friend that my wife had written to Dear Mary in The Spectator Magazine complaining about me drawing.

Dear Mary Problem about Drawing in Concerts

Dear Mary 18th February 2017.

In general, people take a great interest in what I have drawn. Sometimes I even give the performer the drawing and they are thrilled. I have only ever had 2 complaints in the past.

Any advice?

Materials for Drawing in Concerts
Materials for Drawing in Concerts

Clutch pencil and lead pointer

A fine round and a short fat tombow eraser.

Some loose sheets of Ingres paper in a leather wallet of which I have a variety of fairly similar

Drawing at Concerts



Recital at Imperial College
Recital at Imperial College


I have always enjoyed drawing people. I think that because finding sitters is not always easy and when found they do not always stay put, it can be better to go out and draw them in their own enviroment, at some place where they are already occupied.

Yundi Lee at the Royal Festival Hall
Yundi Lee at the Royal Festival Hall

I have a number of venues that fit the bill so it’s hard to say what my favourite is but it is hard to beat a concert for the excitement and stimulation it offers. I wonder if the music occupies the conscious mind leaving the unconscious mind in charge of drawing. This is an idea that came to me after reading The New Drawing on the Right Side of the Brain by Betty Edwards.

The idea is that the unconscious mind is the creative side and can really get going unhindered by the uptight over thinking usual of its other half … well I havn’t decided if this train of thought is going anywhere but it’s is an interesting thought nonetheless. I certainly feel fully engaged when drawing in concerts. Emersed in the music, the performers and the place and it greatly enhances my enjoyment.

Imagine my distress on hearing from a friend that my wife had written to Dear Mary in The Spectator Magazine complaining about me drawing.

Dear Mary Problem about Drawing in Concerts

Dear Mary 18th February 2017.

In general, people take a great interest in what I have drawn. Sometimes I even give the performer the drawing and they are thrilled. I have only ever had 2 complaints in the past.

Any advice?

Materials for Drawing in Concerts
Materials for Drawing in Concerts

Clutch pencil and lead pointer

A fine round and a short fat tombow eraser.

Some loose sheets of Ingres paper in a leather wallet of which I have a variety of fairly similar

October in Kenya

sunset

I have let my blog fall fallow this last year and although I have regularly uploaded paintings and drawings to my Instagram feed at willpaint, there are a number of things I want to get out there that are more suited to a blog and so I will attempt to put that right starting now.

I have been painting in various places around the world this year and it is something I love to do. Travel and painting seem to be made for each other (the problems encountered getting solvents in unfamiliar country’s aside). I intend to write a post soon on my various set-ups and my travel kit both bought and home made, but for now I want to write about something I am so excited about;

October in Kenya.

This October I shall rearrange my teaching days at The Royal Drawing School to fit in a week of teaching at Kilifi, a beautiful spot on the coast of Kenya.

From  Saturday 8th to Sunday 16th October  you are invited to Mdoroni on the Kenya coast to enjoy a week of painting in one of the most beautiful places in Kenya.

The idea is for accomplished and not so accomplished artists to paint without pressure under my guidance – We might paint interiors, exteriors, markets, landscapes, views, Arab ruins, boats, beach and trees. We will enjoy delicious healthy cooking, culture and the beauty of Kilifi Creek . This is a painting trip and holiday which can be enjoyed by artists and non-painting partners alike.

The Location

A beautiful tranquil fully staffed villa on the beach at the mouth of Kilifi Creek with views 360 degree views of the Indian Ocean. Furnished with Swahili antiques and surrounded by rambling coral gardens, bougainvillea and baobab trees.

www.houseonkenyacoast.com

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COSTS  per person £1,800 per person – if husband/ wife or friends sharing a room £1,500 each (both prices excluding flights).

There are a few places left so for more details or to reserve a place please Email Antonia Filmer

antoniaf@talk21.com

or telephone 07836767811 (or +447836767811 from outside the UK)

Incidentally, I mentioned the Royal Drawing School. Here is my profile on their website

http://royaldrawingschool.org/artists/faculty/will-topley/

And a profile of me by Antonia from India’s Sunday Guardian

http://www.sundayguardianlive.com/opinion/473-will-topley%E2%80%99s-interiors-attract-aristocratic-clientele

 If you are not signed up for Instagram I can highly recommend it. It’s a great place for following Artists who interest you, or anyone else for that matter and as its basically just a picture per post it really is suited to art works.

 

If you prefer not to install the Instagram app my feed can be viewed here

https://www.instagram.com/willpaint/

Map Of Kenya

The Pintar Rapido Weekend

WT Pintar Rapido
WT at Pintar Rapido (looking exhausted)

It was a beautiful English summer day but hotter. There were blue sky’s and lovely cotton wool clouds floating by. I checked in at the town hall with a lot of other artists. It was good fun chatting in the queue before hand. I took the bus up to Knightsbridge to paint Harrods as I had planned but as got off the bus at the top of Sloan Street I noticed Harvey Nicks and thought of an evening I had a few years ago that started from there on the top floor where all the smartest of young London Arabs meet up in the early evening. I looked at Harrods and found the shape wasn’t great for the canvas I had so I went back and found a spot on the traffic island opposite Knightsbridge tube and set up there. 

Every time a car stopped at the lights the driver would lean out of their window for a chat. After a few hours a police car came by, did a quick u turn and stopped behind me. The policemen got out and I thought; oh, O! They said “don’t worry, we’re just being nosey, mind if we have a look? We chatted for a bit, I gave them a flier with free tickets for the show, they shook my paint encrusted hand and promised to come to the show before they went on duty. In fact they arranged to meet each other at Sloan square tube said to each other it’s a date then. They then went off in their patrol car, blue lights flashing and executed a rather dodgy u-turn. I saw them go by a few times in the day and we waved at each other as they passed. 

A lady with purple hennaed hair and her pretty young assistant who was wearing very heavy make up came over and gave me a chocolate bar and a bottle of water. They were working at the Rolex shop and so I said I would come over and buy one one day. 

My son Lewis and his girlfriend, Andreea came and brought me 2 cokes. It was great to see them. Lewis was going the next day back to Padua where he is working and I don’t see him much now-a-days

Lastly, a couple of women came over and said. “Cor, that’s brilliant! It’s just like it!… It’s Harrods ain’t it. I was a little embarrassed to disagree that it was actually Harvey Nichols. 

I got back just in time and there was lots of queuing but we were all in the wrong queue. Mr Rapido was there being very jolly. He has only one arm and that seemed suddenly normal as I had only the day before listened to a very good podcast story involving a lady with one arm. 

I was photographed holding my painting and then handed it in. 

I then had to go and move my car from the Parking space I had booked for the day.and I was just unpacking a few things when I saw a family getting into their car on the other side of the street. A lady came over and said that her daughter wanted to know what my rosette was for. We were issued with rosettes to identify that we were artists doing Pintar Rapido and I was still wearing mine. I said that I had just won best pony in show and they looked really excited. I felt a bit bad disabusing them to explain about the 500 artists painting London in a day but I gave them a flyer and they went off laughing and little girl waved as they sped by in their open top Audi. 

Pintar Rapido rosette
Pintar Rapido rosette

The next day, when I arrived at the opening event the first painting I came to was by my friend from the Royal Drawing School, Alex Cree. Here is the mug shot of him and his painting

Alex Cree at Pintar Rapido
Alex Cree at Pintar Rapido

We hung about a bit and then the prizes were announced. Neither of us were winners but they were all reasonable and deserving choices none-the-less. You can see that Chelsea Town Hall is a very splendid place. The panels that the paintings are hung on give the exhibition a feel somewhat reminiscent of an amateur art show in a village hall but I’m not sure how the organisers could ever get round that.

Pintar Exhibition in Chelsea Town Hall
Pintar Exhibition in Chelsea Town Hall

I watched a demo beinng given by Ann Witheridge from Lavender Hill Studios.

http://lavenderhillstudios.com/

I have various friends and students who have been there and was very interested to see what sge would say. I enjoyed her talk but she was slightly up against it with a couple of the audience who were verging on being hecklers. You can see two guys in the front who were part of a large Dutch contingent at the competition..Anne Witheridge passed around some sample painting panels sold at Lavender Hill and one asked why it was warped, if that served a purpose. She said that it would straighten when it was framed. He said Oh I see, it straightens when it is framed, I see, um, yes. He was plainly mocking her as he did the same sort of thing over the subject of paint drying as you work. This would have been a bit annoying for her but worse came in the form a slightly crazy guy in a leather coat and hat.(it was a hot day) As luck would have it sat in a recently vacated seat in the middle of the front row and started a stream of random interruptions such as “What’s the most you ever sell a picture for?”

Anne Demo
Anne Witheridge Demo

Anne was a bit too polite and looking rather embarrassed tried to answer patiently so I called out that we wanted to hear the talk which silenced him for a very short time.

After the talk I met up with Alex at the Chelsea Arts Club and we passed the afternoon pleasantly putting the world to rights.

When I got back to the town hall I spent half an hour chatting to a few fellow artists. Out of the corner of my eye I glanced my two friendly Policemen in Mufti having a serious look at all the work.

The verdict is that it was tiring but great fun and I am pleases to say that my interest in the plein air phenomenon remains undiminished. In fact I shall be taking part in the event; Paint Out Wells-next-the-sea in Norlfolk  between the 9th and 13th September. Norfolk is one of the most beautiful and remote counties in Britain, if you don’t know it already, I recommend a visit ASAP.

Wells-next-the-sea Paint Out poster
Wells-next-the-sea Paint Out poster

Maybe see you at the mass Sunrise Paint out taking place on the beach at Wells and Holkham on Friday 11th?

http://www.paintoutnorwich.org/wells-next-the-sea/

Pintar Rapido London, 11th – 12th July 2015

logo for Pintar Rapido

Just a quick mention that I will be taking part in Pintar Rapido, London this year. It takes place over two days; on Saturday 11th July we go out and paint our pictures and on Sunday they are put up for sale in an exhibition at Chelsea Town Hall in the Kings Road. The show opens at 12pm and closes at 5.30.

There are going to be a lot of artists painting views of London, up to about 500 and I think it will be great fun. It is actually a competition but I haven’t as much experience in one day painting as many of my fellow painters so will be painting one of the smaller pictures there in the hope of finishing in time to hand in my canvas before the end of the day.

If you are artist and you see this in time, why not join me on the Saturday?

for details click;
HERE

If you would like to come to the show on Sunday then download a free ticket for 2, click

HERE FOR TICKETS

Say Hello if you come!

I look a bit like this;

WT Painting in the rain
WT Painting in the rain

 
Hoping for a dry day with perhaps even, a bit of sun!

Srilanka, a holiday with paints

My wife went through a period of illness a couple of years ago. She is feeling much better now and to celebrate this she took me and her children on a holiday to Srilanka. We all went to stay in a villa near Galle which is on the south west coast

In 2004 Srilanka was devastated by a Tsunami. That was over ten years ago and things have Improved a great deal. There are signs of poverty but it doesnt appear to be to the terrible degree that can be found in India for instance. We were occassionally asked for money but not often and not persistently. Some say that as a tourist destination, Srilanka is the soft option alternative to India.
I loved Srilanka. It is very near the equator and so very hot, It is also very humid, even in March. The arrival time of 5.30am was 12.30 am in the UK. We had not really slept so we all spent most of the first day flat out on our beds in our rooms with the aircon on. Cooling off in ones bedroom soon became known as going to mini Devizes, refering to the cold temperatures we had just left behind at home. Nealantha, one of the staff at the villa had a tuk-tuk and he became our driver, alternating his brother and his father into the convoy with their tuk-tuks. I would be hard put to say who was the best driver.

WT Painting in the vegetable market in Galle
WT Painting in the vegetable market in Galle

I was keen to paint but the others all had agendas of their own so I settled into a pattern of going out fairly early in the morning. The friut market was something I spotted early on and Nelanther’s father took me there and stood next to me with his hand onthe corner of my easle to give support. When people came past he would talk them through what I was doing and small crowds gathered round to watch. I don’t speak Srilankan and he didn’t speak English so I never found out what he said but everone was very kind and the shop keeper brought me a glass of mango juice to sustain me.

Two fruit market stalls in Galle
Two fruit market stalls in Galle

My step-son is a madly keen and a most talented fisherman and one of the first things we did was to go out and buy some fishing tackle. I went on to the fish market to paint and Declan had a look to see what people had caught. It was very exciting at the market, everybody moving about, coming and going,. stall keepers spahing water about to keep the fish wet and fresh looking before wandering off to the other end of the market to chat. I managed to slap down a quick oil sketch, hoping that he looser style would help to put accross the bustle and movement of the market.

The fish market in Galle
The fish market in Galle

One morning I asked Nelanther to recomend somewhere to me and he suggested the budhist temple at. A sign at the bottom of the flight of stone steps asked us to remove our shoes before going to the temple. The soles of my feet burnt like a pair of beef burgers on the grill in a short order diner, the stone steps were so hot. Ouch, ouch, ouch! All the way to the top. When I got there I took my time looking around and settled down to a painting of what was reputed to be a 3000 year old ban yan tree, grown from a cutting from the tree in India that the buddah himself sat under. In Srilanka all festivals are observed reguarless of which religion the festival or celebrants are affiliated to. The day I painted was, I think, Good Friday.

Bohdi tree at Gatagoda Temple, Srilanka
Bohdi tree at Gatagoda Temple, Srilanka

I had nearly finished when someone approached me and asked me kindly to remove the hat I was wearing to keep the sun from my eyes. I had tried so hard to behave repectfully at the temple… and failed, so I upped the amount of my tip to the monks.
There was a great view of the sea from where we were staying and it included a couple of the poles that locals fish from. Early one morning I saw some boys fishing there and I did a quick painting. I had always wondered how people paint moving sea and I think I got a bit better at it while trying to do this view. The light was good and the water was clear so it was a great day to try it.

Fishermen, Srilanka 18x24cm
Fishermen, Srilanka 18x24cm

Once we had arrived at the villa we made all our outings by Tuk-tuk. It is hard to find a jollier way to travel. I long for a tuk-tuk at home, but Devizes in the winter in a tuk-tuk may be a bit tough. I asked to be taken to a tuk-tuk repair shop. Somehow I had a vision of it being a good subject for a painting. The Tuk-tuks are the drivers only source of income and they can’t afford to leave them standing idle. The repair men worked quicky, the tuk-tuks were in one minute and out the next. It was quite a challenge, the heat was a real challenge too.I was lucky that I had my guerilla painter umbrella with the silver top with me. I don’t think I could have survived without it. I had also asked for a large bottle of mineral water to be frozen for me to take on my painting trips. My feet, which were not quite in the shade of the umbrella were burning inspite of the liberal coating of sun cream I had applied so occassionally I poured a few drops of freezing water onto them. The mechanics would sometimes come and look and they seemed to like the picture which pleased me very much. There was one particularly dirty mechanic who was literally covered from head to toe in motor oil and grease and he was a real character. If he has a wife, either she must get desperate trying to clean him up or perhaps she dosn’t mind getting filthy when they kiss.

Tuk-tu -repair shop
Tuk-tu -repair shop

I went to visit some old friends who had moved to Srilanka about 15 years ago. There I saw my old student, Phoebe Dickinson. I had taught her when she was at St Mary’s Calne and also at the Royal Drawing School We spent a morning painting together which I greatly enjoyed. Here I the sketch I did of Phoebe painting a cow by a lake.
You can see more of her work at http://www.phoebedickinson.com/.

Phoebe Dickinson Painting in Srilanka
Phoebe Dickinson Painting in Srilanka

Phoebe Dickinson and WT painting at the nature reserve
Phoebe Dickinson and WT painting at the nature reserve

Srilanka was a wonderful place to paint. There are so many varied things to see, I do hope to return someday soon. The people are particularly kind and hospitable but the Chinese tourists were a something was was not prepared for. On our second day at Galle fort I was painting away when a very large groups of tourists started tio descend on me. At one point I was standing infront of an audience of 50 plus, perhaps as many as 100, watching as I worked. I would like to think that they had never seen such a great artist at work before but I think they were just a bit bored and in search of free entertainment. This ended with me being jostled out of the way of my painting by a the tourists so they could take selfies.
“Nought as queer as folk” as they say in Yorkshire.